Valter wrote: β
February 9th, 2025, 13:05I understand the sentiment and I even used to be more inclined to do so in the past.
But nowadays, I'd much rather support someone or something I like through crowdfunding than "buying" the privilege to copypaste a folder from a storefront's servers to my PC.
This is my feeling exactly.
Whether devs are good or bad, I feel gross paying for a "service" that is 100% artificial scarcity, since torrents don't even require a server to distribute the files. I do the same for music, which is perhaps a better example because it's a lot easier to be sure that a musician is a cool guy you'd be happy to support. Paying for a concert or a t-shirt? I am exchanging money for goods and services, that's fine. Paying to download the MP3 that - if you're actually an artist - you
wanted to create yourself? No thanks.
Now, yes, creating a game in the first place costs money, and for that reason I think crowdfunding is great - you're pooling money to create something that would not exist if someone didn't put the money into it. But once the work has been completed, any further payments are just artificial scarcity, and you should pirate if they try to charge you. "Intellectual property" is a nasty concept, but even if you choose to accept it, the game is the "property" of the crowd that funded it, not of the devs who got paid to make it, at a price they themselves set and accepted.
Imagine building a statue in an ideal high-trust town square. A sculptor proposes a design, the townspeople mostly like it, so they pitch in various amounts of money to pay for the marble and for the sculptor's effort. Maybe the guys who really liked it and pitched 20 times as much as others get their names on a small plaque at the bottom or whatever. Anyway, it's cool, the statue gets built, everybody is getting a fair deal.
Then the sculptor says "Thanks for the money! Since the statue is my design, I'm now going to charge 5 gold pieces to everybody who walks through the town square and looks at my statue. Forever."
This is how art gets "sold" in the era of digital, zero-cost reproduction.
Back when reproduction was mechanical - not yet zero-cost, but already indistinguishable from the original - that old **** Benjamin tried to preserve the artificial scarcity, value, and prestige of art with his ******** talmudic wordplay around "aura". It's been 90 years since then; we should have learned to see through those Jewish rhetorical tricks.