More puzzles where you bounce a pod between plates to reach a destination. They start off as being shallow with only one solution, but later on in the miniature scale city one of the puzzles had two end points, which was interesting.
Firefly tells me her sob story about how she is crippled by and dying of a medical condition in the real world and has chosen to spend her last months/years of her life in this dream world where she can run around freely. I don't know why she singled me out to go running around the city at night and tell me this.
I forgot to record footage of it, but the interior dungeons in Penacony have been pretty engaging. You get limited charges to activate ramps that allow you to walk onto the walls, and there are treasure chests on the walls. So now whenever I enter a room, I am looking at the walls and the ceiling trying to figure out a path and looks for where treasure chests might be.
The new girl gets tossed up by a monster and impaled, then explodes into a puddle of water. Apparently she's dead. (She was heavily shilled as a playable character last year, so obviously she is not dead, which kills any tension this might have had.
It is frustrating how someone died, but the characters stand around with the same blank/neutral/wooden expressions on their faces as before. Characters seem to only be able to have facial expressions in the 10 second pre-rendered cutscenes.
These orthogonal perspective puzzles are neat.
This guy Aventurine has me forcibly teleported to him (borderline kidnapped), and now he's trying to tell me that the other adventurer I was running around with earlier, Acheron, is actually an "Emanator" (don't know what that is) and that I should change sides to be with him instead of her. I had to look up the codex what an Emanator was, and apparently it's just a super powerful person. Why should I be bothered by this? Superman is powerful, but no good soul fears him. And this guy is about to tell me that Acheron killed a villain - Duke Inferno - offscreen. That only makes her sound more reputable to me.
I was peeved that Aventurine says that I have a choice to either go back to Acheron, or to go with him, but then once the cutscene ends I have no way to chose what I do. The only path forward is to go with Aventurine. Truthfully, I would have probably chosen to go with him anyway in spite his inferior moral standing because he is a lively character and thus somewhat entertaining to watch onscreen, versus the boring as a doorknob Acheron.
This guy brings me to a hotel room, where I find a young lady asleep in the bathtub. Now he's saying that she's actually dead (she explodes into water bubbles shortly after), and that he had nothing to do with it. This guy is not good at first impressions.
It is annoying how this villain has a sword at his throat, and then these two characters have a five minute long conversation about philosophy and the meaning of life and so on. And then this scene is followed by Acheron and the robotic character Sam standing around and doing more faux intellectual talk and mastrubatory speeches. The story does feel like it is up its own *** here at times.
We get a formal character/chapter select system to play as other characters' POV chapters, which is very much appreciated. A lot of the best storylines in Granblue Fantasy had zero involvement from the game's main protagonist Gran. Serialized box purchase JRPGs like Trails are able to change up protagonists every few installments, but for whatever reason subscription RPGs shy away from having you play as another character like Illidan, Thancred, Ryland, etc, for more than 15 minutes.
The advantage of this being a live service game also available on the phone is that I can get in bed to rest my back and hold my phone up with the brightness set to dim, and make some progress going through the dungeons until I become tired and then turn it off to fall asleep.
Finally, some sorely needed tension and interesting drama with the Aventurine-Sunday confrontation and he gets sold out by Dr. Ratio. It also helps that I am playing as a voice acted character with his own hopes and dreams who is invested into the plot and has people who hate his guts, rather than a voiceless character who wanders around with no investment in what is going on, and nobody dislikes him.
