Hello Adventurers!
Today I am showing you Dungeons of Sundaria!


INTRODUCTION
Dungeons of Sundaria is a cooperative action RPG with an emphasis on nostalgia, where players explore procedurally generated dungeons filled with monsters, traps, and treasures. They can select from various character classes and team up to defeat powerful bosses and uncover hidden secrets. The game emphasizes teamwork, character customization, and replayability through its dynamic dungeon layouts. Developed and published by Industry Games, an Arizonan developer, it was released in 2023.

PREMISE AND STORY/NARRATIVE
The storyline in this game isn't a main focus; it's mainly a pretext for exploring dungeons (the devs pretty much went all-in on the dungeons) and completing quests. Tasks typically involve finding missing persons or collecting items for NPCs.

The quest descriptions are straightforward and simple with minimal narrative depth. The overarching plot is simple: "Bad guys are causing trouble; go stop them." Players receive quests in Galdrin's Crossing and embark on their adventures from there. That's the gist of it.

Before arriving at Galdrin's Crossing, players create their characters, choosing from standard and exotic races along with classes.

Character Creation

CLASSES

The Champion excels as a warrior, utilizing either a two-handed weapon or a weapon plus shield in combat. Ideal for close-range fighting, they offer a variety of abilities.

Clerics function as fighters and healers, competent in both melee and ranged combat through spells. Indispensable in team play for reviving fallen players. They can employ one-handed weapons with shields or two-handed weapons, their primary attack being a divine flying hammer, enhanced by multiple protective spells.

Rangers, the "Bow and Arrow" class, or dual crossbows, may find playing alone challenging due to confined spaces and rapid enemy approach. Although they can use shields and other weapons, their limited melee abilities suggest focusing on ranged attacks.

Rogues are designed for surprise attacks, their abilities reflecting this role. They can become invisible, appear behind foes to inflict heavy damage, and possess self-healing abilities due to their lower resilience compared to the Warrior or Ranger. A valuable addition to a group.

Wizards deal significant ranged damage while appearing stylish. They can wield any one-handed weapon, but must keep one hand free for their orb. Without it, they cannot cast spells, rendering them ineffective. In my opinion, the Wizard was the most enjoyable class to play.

The game also has a system called Heroism meaning you can continually increase your power, akin to the Paragon system in Diablo 3. After reaching max level, you still earn XP, but now it goes to raising Heroism, earning points that you spend on multiple passive abilities that make you stronger, such as faster attack speed, more resilience against fire damage, and so forth.

RACES
You've got Humans, Dwarves, Elves, Halflings, Orcs, Goblins, and Drog'al. The last one is a lizard race, which is nice since there are not many games where you can play one.

Race selection is purely cosmetic, with no impact on abilities, stats, or interactions.
WARNING: However, smaller races like dwarves, halflings, and goblins experience more camera issues. Also the crosshair is body-blocked...
UPDATE: Despite a recent patch aimed at improving the camera, these issues persist, especially for dwarves.



After creating your character, the game greets you with a pop-up explaining certain things to you before you begin adventuring. Instead of moving freely through Galdrin's Crossing, you click on buildings to enter them and interact with NPCs. These interactions feel like a cheap Flash game. The town comprises thirteen buildings, each housing NPCs who offer quests or services.



At the Blacksmith, you encounter Kadrick, who assists with crafting, salvaging, selling, and buying items. Gweyir Dorra initially seems unimportant but later becomes somewhat important for increasing the Star Level of your items. Cletus Thornhue offers armor painting in different colors, though he is a bitch that insults you after he finishes recoloring your gear.

In the Guardhouse, Captain Laurent provides quests that advance the storyline, though his usefulness is limited beyond this role. At the Hovel, Singen offers services to change your appearance for a fee, requiring gold to alter your look without changing your race and a Token of Change to switch races.

The Ivory Tower is home to Morfec, the master alchemist, who sells potions and components necessary for gear upgrades. Meanwhile, the Silver Dove Inn features Samrock, the innkeeper selling various brews, and Leena, the tavernmaid offering different food items, though both have little else to contribute.

The Bank, devoid of any NPC, serves as a valuable stash for your items, providing much-needed storage space. Lastly, the Guildhouse hosts five NPCs, each corresponding to a specific class. Only the trainer matching your class will teach you new abilities, making it a critical location for skill development.

Thus, Galdrin's Crossing becomes the hub of your adventures, with each building and NPC playing a distinct role in your journey.



When you are done checking out Galdrin's Crossing, there are two bridges leading you to the world outside the Town.

CAMPAIGN MAP
The campaign map features three difficulty settings: Normal, Hard, and Nightmare. Each setting offers a progressively challenging experience, with enemies becoming stronger and more dangerous. The map includes multiple areas, each akin to a dungeon, and each area has three modes corresponding to the difficulty settings,
I'll highlight two of them:

At Dreadforge, your journey starts in a windswept dune. Suddenly, a roar—Smoulderwing soars above, raining fire. You must dash through this inferno, taking cover under rocks scattered about. The ominous Black Gates of Dreadforge loom ahead, beyond which lie layers of battles against fiendish orcs, demons, and grotesque creatures.

After a while, you confront Smoulderfang in a magma-filled chamber. A long, arduous trek through this black and orange sludge culminates in a fierce duel with Molabog, the grotesque Demon King. There are also many jump-and-run sections in the game, where you either die because you timed your jump wrong, or you land way down and have to go back up and do it all again. The Dreadforge has these sections, and they are in rooms full of magma, meaning you insta-die.

The Icy Depths: You start outside in a forest, right before the cave entrance adorned with a huge dragon skull with horns, covered in ice. You run through an icy corridor full of barricades and ghostly enemies. A huge wall of ice then blocks your way, and a summoner attacks you while calling forth her ice giants. Afterward, you reach the city of these ghostly beings. After dispatching the archers in the towers and defeating some bosses, you reach another cave entrance adorned with a huge skull.

As you enter, you see only a slab of ice covering the floor. When you jump on it, it breaks, and you fall way down into the water. Now the difficult part begins. You must jump and run through these mines. As if that isn't bad enough, there are enemies here that can knock you away from afar. You also reach a number of caves adorned with tombstones emanating evil energy. You climb ladders (you probably will die once, as a goblin is just waiting to knock you back) and while jumping around you reach a cave full of treasures and its owner: The Goblin King.

You can also ride a mine cart here, and with the final ride, you reach a big arena-like cave with a very angry cave troll called Migion. After that, you jump on ice blocks and reach the last boss of these icy depths. In this huge arena made of ice, you fight against LORG, a very jumpy troll. After beating him, you ascend steps that look very much like the Icecrown Citadel from Warcraft, leading to a long tunnel full of trolls. At the end of this tunnel is a big cave full of red and blue crystals and one big, angry crystal demon called Valu'Nathala.

After killing him, you jump around on ice slabs towards what appears to be the exit but is just the next layer of the dungeon. Here, a big metal and ice platform immediately catches the eye. To reach it, you have to clear the room of the Ice Giants. Then a portal opens, and here you fight against Holdurbraan. After that, you have to fight King Joldurbraan in the next room. You don't kill him; rather, you defeat him and his guards so that you are allowed to descend into the depths to reach the halls of Quoron the Dread. After a hard-fought battle to the death, you teleport back to Galdrin's Crossing. Overall, this was way too long and should've been reduced by a ton of layers. (Remove the jump and run sections and it might've been nice to play).

Higher difficulty settings not only increase enemy strength and damage but also introduce more frustrating challenges, such as instakill attacks that make the game even more unappealing. For instance, in one part of the game, you traverse a town-like area with watchtowers. Archers in these towers shoot arrows that can take you down before you have a chance to react, forcing you to restart from the checkpoint. Not very fun if you are alone.

In summary, while the campaign map offers varied and increasingly challenging dungeons, the difficulty spikes can sometimes make the game less enjoyable, especially for solo players.

ART DIRECTION
Dungeons of Sundaria features a colorful fantasy style reminiscent of Dungeons and Dragons, with classic characters and environment designs. This aesthetic helps create an immersive dungeon-crawling experience. The areas are thoughtfully designed, with each new layer of a dungeon logically connected to the previous one, enhancing the sense of exploration. However, the dungeons can feel excessively long, often stretching about six layers more than necessary.

The game successfully balances vibrant, cheerful areas with darker, more atmospheric crypts, caverns, and other brooding places of evil. It embodies the spirit of a Dungeons and Dragons game in every aspect except name and license. Many characters, enemies, and locations clearly draw inspiration from this iconic franchise. For instance, the game features "cacodemons", which are essentially beholders, and a boss resembling an Illithid or Mindflayer, further underscoring its D&D influence. (Tsk, Ghaik.)



VISUALS
Despite the positive aspects discussed in the art direction, the visuals in Dungeons of Sundaria are quite dated. Compared to modern standards, even mobile games often look better. While the game’s aesthetic might invoke nostalgia, the graphics are poor, with character and environment designs lacking the detail and polish expected in contemporary games. Additionally, the outdated animations contribute to the visual shortcomings, making it difficult at times to comprehend what is happening on screen.

SOUND DESIGN
The atmospheric music of the town and various areas is well done, enhancing the immersive experience. However, other aspects of the sound design fall short. Footstep audio, enemy attack sounds, and dying sounds can sometimes be grating and hurt your ears. Character dialogue, when present, tends to be dull and uninspired, often missing the context of the gameplay. Despite these shortcomings, the soundtrack stands out as a highlight, with each area featuring a well-composed track that sets the tone effectively. Unfortunately, these tracks are frequently interrupted by combat music. For a better experience, you might prefer muting the sound effects while keeping the music on.



ENEMIES
Standard
The game presents a varied roster of enemies to challenge your progress, including humans, beasts, demons, and supernatural beings. This diverse cast adds to the richness of the game’s world. However, as the difficulty increases, these enemies become progressively more frustrating. On higher settings, they often spam abilities and spells that can stun or freeze your character, making encounters more annoying and challenging.



Bosses
Each dungeon is populated with numerous minibosses and culminates in a final boss encounter. These bosses are designed with unique weaknesses, immunities, and special attacks. They also feature distinct phases, adding complexity and variety to the battles.



GEAR
The game offers a standard array of gear, reminiscent of what you might find in World of Warcraft. This includes light, medium, and heavy armor, cloaks, rings, and a variety of weapons.
The gear quality improves with higher levels of difficulty, as indicated. The rarities in order of quality are:
Common
Superior
Rare
Epic
Legendary
Eternal
These rarities reflect the quality and value of the items, with higher rarities offering better stats and attributes.



ISSUES
There are problems with the hitboxes, resulting in missed attacks despite proper aim. The animations appear outdated, lacking the justification provided by older games. The game might grow on you, but more akin to a tumor. The gameplay turns repetitive quickly, losing appeal after the initial dungeon. Enemies frequently use abilities that restrict movement, making the experience more annoying than fun. Using races other than human can lead to camera issues, and even human characters face these. The enemy strength matches your level, making it hard to overpower them. Improving gear through grinding becomes less effective as the percentage boosts are outweighed by enemy scaling on higher difficulties.



GAME MODES
The game is playable both solo and 4-Player Co-op. It is also possible to play locally.
A word of warning though: playing solo makes you more prone to being stunlocked and quickly dying because of it. During solo play, you may find yourself having to accept death more often, as nearly every enemy has some form of stunlock or snare ability that can overwhelm you. I know I did.

CONCLUSION
I played the game up to lvl 20 (max level for normal difficulty runs) it took me about 8 hours but I simply cannot recommend this game in good conscience. It is just not a good game, simple as. Everything in this game feels outdated, tedious and ugly. The only good thing about this game is the dungeons since they look nice.
It's a shame that it didn't meet my expectations since I was looking forward to it prior to it's release but wasn't able to play it because of work and personal life. It did however save me frustration back then because it surely was worse than it is now.

4/10: Cannot recommend it

Lords of the Fallen was initially a Polish Dark Souls clone launched in 2014, published by City Interactive and developed by Hexworks. This game is a "reboot," but in many game files it is named LotF2 (indicating it may have been planned as a sequel). What can you expect from this souls-like? The same thing as every souls-like: difficult bosses, punishing traps, awful platforming, and deadly gravity

OVERVIEW :

But this game also does some things uniquely. The main difference between Lords of the Fallen and other souls-likes is its navigation method. You need to travel to a parallel dimension (similar to the upside-down from Stranger Things), called Umbral, in order to progress in many regions. If you die while in Umbral, you return to the "bonfire", and drop your "souls" (called vigor in this game). If you die in the real world/Axiom, you just go to Umbral. You can use your lantern, infused with dark blue Umbral magic, to peek at Umbral. Staying in Umbral for too long brings the attention of many nasty enemies, including a "red reaper."

The magic in the game is more otherworldly. Radiant magic is associated with the Church, Infernal with Adyr Cultists who worship the Demon God, and Umbral, which is similar to Dark Souls 2 Hexes, scales with both infernal and radiant attributes. The game has only six attributes: strength, agility, endurance, vitality, infernal and radiant. The other main difference between this game and Dark Souls is that around mid-game, you can infuse special runes into your weapons and shields. The game also differs from Dark Souls because, at NG+, you can put modifiers into the game. The unique difference between the classes is the starting point in attributes and gear.

CLASSES & CHARACTER CREATION :

The basic classes are: Hallowed Knight, Udirangr Warwolf Partisan, Mournstead Infantry, Blackfeather Ranger, Exiled Stalker, Orian Preacher, Pyric Cultist, and Condemned. Condemned is like the deprived in Dark Souls; they start with almost nothing. The hallowed knight is the typical knight with a sword and shield and a grenade as a starting ranged weapon. Udirangr Warwolf is the typical "barbarian" with a two handed swrod and a hatchet as a throwable weapon. Partisans start with a flail and crossbow. Mournstead Infantry starts with a spear and shield. The Blackfeather Ranger starts with a bow, axe, and shield. The Exiled Stalker is the dagger assassin. The Orian Preacher starts with a mace and powerful holy spells. Pyric Cultist starts with a staff and powerful fire magic, but I recommend for those who play as one to get the infernal scaling axe early on.

There is no class for Umbralist casters in the game. If you plan to play the game as one, you will have to start as a Pyric Cultist or Preacher and get a catalyst in Skyrest, the main hub of the game. 

The game has four hidden classes: one locked behind a relatively long quest and three locked behind the game endings. Dark Crusader is a class unlocked after a very long questchain, and the last 3 classes are "hybrids" of the mage and melee classes and are respectively the Lord and Radiant Purifier. Both start the game with great armor and long-range damaging spells. Below is an image of the "Lord" class and the "Purifier" class. The lord is the "red" one on the left, and the Purifier is the yellow one on the right. 


The Lord and Purifier classes

The last class is "putrid child" and requires the hardest to obtain ending to unlock. It is a hybrid of melee Umbralist with caster Umbralist. The class starts with a Putrid Child Sword, a short sword that inflicts frostbite and has a very subpar catalyst. The character creation in the game is very good in every aspect and allows you to choose everything that you could ask for, including tattoos, skin tone, hair, and facial hair, among other things. [Editor's note: The developers have removed "body types" in a patch, the game now uses male/female sex.] My only problem with character creation is use of "body types" instead of gender. 

Contrary to other games, in Lords of the Fallen, every class starts, and stays, good at range and melee. Yes, this includes casters. Casters can get good Inferno or Radiant scaling melee weapons early on, and umbralists, despite taking a very long time to get a decent weapon scaling with both, can use poison weapon spells and have a decent weapon relatively early on. Martial arts classes always start with a bow, crossbow, grenade, or any other long-range tool, but instead of mana, they use ammunition.

Radiant builds are considered the best in this game because you can get a "lightsaber" from a boss with a short blade, a very fast moveset, and a pure radiant scale early in the game. Many umbral creatures and demons are weak or non-resistant vs. radiant damage. The sword also deals "smite," which deals massive damage after some strikes and makes the enemy vulnerable to holy damage. 

LEVEL DESIGN :

Level design is excellent in this game. The game is very well interconnected, similar to Dark Souls 1. It is full of shortcuts and secrets. Level design helps with the combat a lot. For instance, you can use your "umbral lantern" to spirit-move deadlier enemies into a place where they can die. Umbral is a really nasty place, and the mimics are a unique twist over Dark Souls mimics; they drag you into Umbral and eat most of your life. Each location has its own lore and is very interesting to explore. The unique problem of level design is some platforming puzzles for optional stuff. Jumping in the game is a problem. Many times your character ignores the "jump" command, and you need to start running before you can jump.

The unique problem that I found in my run is the following: if you progress too fast in a certain area of the game, an NPC will kill another NPC who sells the best items for mages. There is no indication of it. Many quests are also nearly impossible to complete without a guide. 

COMBAT & BOSS DESIGN :

Combat in this game is great. I personally didn't like the fact that some enemies are protected by a strange umbral parasite, forcing you to go umbral or use the lantern to kill the parasite before the enemy. Many reviewers, like Asmongold, and many Steam reviewers, complain about the enemy density. In my opinion, this is just a matter of taste. I had no problems with enemy density in my playthrough. When you beat the game, you unlock modifiers (details later in the review); one of the most popular modifiers is increasing enemy density. There are a lot of ways to deal with the huge enemy density in the game. You have grenades, large AoE spells, and halberds, among many other things. 

Many bosses become regular enemies, and the boss design in the game is great with few exceptions. If you are having trouble with a boss, there is always a strategy that can help you negate the boss's main advantage. I had problems with one boss, whose name I will not spoil. Not because he was too hard but because the arena was too small. The camera made it very hard to know where I was and where I should go to escape his deadly magma attack. I only won against him by spamming Barrage of Echoes.


The Barrage of Echoes Icon

The spell creates a barrage of umbral orbs, each dealing a bit of damage. If all orbs hit the enemy, which is not hard to do in melee, the spell works like Shrapmetal in Might & Magic VI, dealing incredibly high damage.

But if someone wonders about seeing shittier bosses like Bed of Chaos or Dragon God in this game, I haven't found any bosses like them in Lords of the Fallen. 


GRAPHICS & PERFORMANCE :

This game is gorgeous but is considered "too heavy" by many. I wouldn't judge much on the performance of the game. Why? I played in Debian 12 on a GTX 1050 Ti, below the minimum requirements. It wouldn't be fair for me to judge a game in this aspect. And played with everything in minimum, and to run in Linux, I had to use the proton 8 and run with: 

VKD3D_SHADER_MODEL=6_6 gamemoderun %command% 

Without gamemode, there is a huge delay between key presses and movements. Without VKD3D_SHADER_MODEL=6_6, the game stuck in "running" forever, and I only managed to find this problem via protonlog. With a high end PC, the game look gorgeous. But I played with everything as low as possible.
NG+ :

This game in NG+ allows you to change a lot about how it runs. After completing the game for the first time, you can choose to replay with modifications, such as random loot, permadeath (essentially transforming the game into a roguelike), increased enemy density, upgraded weapons, and no place to rest. This makes subsequent runs more unique, similar to how NG+ in DS2 is better than 1 and 3. In DS2, NG+ features new enemy placements and changes in enemy bosses. 


The NG+ Modifier Menu

SOUND

The sound design in the game is great. The sound enhances the atmosphere while in Umbral. The voice acting of most NPCs is great, and everything is fully voice-acted. However, if you plan to play without sound while listening to podcasts, many "clues" that you destroyed a umbral parasite protecting an enemy can only be heard through sound. 

Overall I rate this game 8.5/10. It would be 10/10 if it had: a starting Umbralist class, no small arena bosses with bad cameras, no easy-to-miss item merchants, and more enemy variety.

SKALD: Against the Black Priory, is an 8-bit turn-based RPG that successfully Kickstarted in 2019. It has finally been released, after its original June 2020 target was pushed back by almost 4 years. This game was created by a single Norwegian developer who was heavily inspired by the Gold Box games and Ultima. You control a party of up to 6 characters in a fully turn-based environment for exploration and combat. As you travel by land and sea, your goal is to uncover the grand scheme of the Gallian Empire, explore a progressively maddened world, and fight countless horrors along the way. The game successfully strikes a great balance between combat, exploration, and story sections.


Firgol is not as peaceful as it may seem.

Setting the Stage
The game throws you into a familiar scenario: trapped on a struggling ship headed towards a distant continent in search of a mysterious girl. You awaken on a strange shore after a dramatic crash. A brief flashback tutorial, set two weeks prior, prepares you for your quest.

A significant portion of the story is conveyed through illustrations and in text form, featuring consistently good artwork. The same is true for the background music. At no point does it take over or try to be overly dramatic or melodramatic. Instead, it always nicely underscores the events happening on screen. Consistency is also demonstrated throughout the rest of the game's presentation. It is clear that Skald was created with one vision in mind, skillfully executed.


Much of the plot is advanced by illustrations of this type.

Venturing Forth
Exploration unfolds like combat - in turns. You navigate through smaller, handcrafted maps that are designed to be easily memorized. In some cases, these maps guide you along a linear path. Although you don't have a map or a minimap, navigating through more open areas should not be too difficult. Even if you need to backtrack, you can traverse entire maps quickly thanks to the fast movement speed. Each map is uniquely designed, featuring interesting locations waiting to be discovered. It always feels rewarding to explore every corner of each area.

On your journey, you will find an abundance of crafting resources for alchemy and cooking. You will find recipes for both along the way, but significantly fewer for alchemy than for cooking. Alchemy does not offer any effects beyond the usual healing and protection options, which are also available from other sources. On the other hand, cooking is crucial for your party's health as it provides a resource for resting, which is the only way to heal wounds. The only difference between different recipes is the food value, determining how much you need to eat to fully heal up. You can further enhance your party with minor buffs by assigning them different activities while resting at camp, although these activities are limited to just four options.

Travel between different areas is facilitated through an overland map. Despite free movement, the exploration experience feels rather limited. Random encounters and basic loot can be found here and there, but in general, you are quite clearly directed towards your next objective. These random encounters tend to be considerably more challenging when compared to quest battles. Skill checks can be attempted to avoid them, and by the midpoint of the game, I found myself doing just that. Due to their repetitive nature and weak rewards (basic loot or XP are no longer necessary at this point), these encounters become tedious quickly.


Exploring the lands.

Character Development and Lack of Depth
You will only gain XP for active companions, not for followers left behind in camps. XP can be gained through combat, completing quests, and to a lesser extent, by using out-of-combat skills. In addition to your PC, you can recruit up to 5 companions by either allowing written companions to join you or hiring mercenaries along the way. Mercenaries are essentially walking stat sheets, while even written companions do not come with their own quest lines, romances, or any other overbearing narrative. They chime in occasionally, and you can use them for various skill checks.

There are a total of 9 skills. There are few instances where failing a skill check leads to an instant game over; usually, the effects are much less severe, such as missing out on some loot or lore. Sometimes, failing a skill check even yields XP. In most cases, characters can be freely switched out for skill checks. In at least one instance, however, the PC is forced to be the checked character. This may have unfortunate consequences.

I did not hire any mercenaries, and I only filled the last roster spot by the halfway mark. There are no respecs, but everyone levels up from scratch, regardless of when they join the party. During level-up, you get to increase the ranks of the specific skill trees for that specific class. Most skills are not terribly interesting or capable of changing the gameplay in any way; they are simply number increases. For most classes, the choice feels rather obvious. In fact, for some classes, I didn't even bother allocating my few remaining levels' worth of skill points, as all the relevant skills, even the mediocre ones, were already maxed out.

In total, there are 9 classes to choose from. You can further customize your PC by selecting one of 15 backgrounds, granting you minor bonuses to attributes. Usually, I always choose a magically related class, but after hearing that magic was only an afterthought, I went melee instead.

And indeed, magic is clearly underdeveloped in many ways. Your arcane caster has only 3 schools available: fire, air, and earth, each with a mere 11 spells per school. There are a few spells that deal significant damage; the most powerful skill I encountered during my playthrough, Thunderclap, came from my arcane caster. However, spells have limited utility beyond causing damage. There are a few crowd control and debuff spells available, but I found none of them particularly useful (though others have reported higher-level utility spells can be useful). Additionally, the use of magic is severely restricted by mana (or attunement, as it is referred to in this game). Attunement only replenishes during rest, and there are not many potions available to restore it during a quest (although some flexibility is provided via attunement potion crafting).


Straightforward choices during level-ups.

Combat on Autopilot
There are also no standard enemy casters in the entire game, so no mage duels. The only caster enemies are certain bosses. You also have the usual support casters such as clerics or rangers, which offer a wider range of spell choices. Many of the healing or buff spells can only be cast upon targets within touching distance. Additionally, spells, attacks, and movement can only be directed over the cardinal directions. There is no diagonal targeting.

Mobility should be crucial. Instead, combat is unfortunately static. There are no dedicated combat maps, and the turn-based combat takes place on the regular map. However, the grid size is quite small. Prior to each encounter, you have the opportunity to position your characters within a specific range of tiles. By the second round, most of your characters are usually engaged in duels.

Frequently, the grid becomes so cramped that movement becomes impossible. Additionally, disengaging does not trigger an opportunity attack but instead immediately ends your turn. Although swapping places is technically feasible, it also brings an immediate end to your turn. As a result, after planning the initial positions, starting from the second round, the combat primarily revolves around smashing down the mob before moving forward. You have only a limited number of combat maneuvers at your disposal, such as flanking or backstabbing. The lack of alternatives makes them seem like obvious non-choices.

Besides not having to worry about enemy casters, you don't need to be overly concerned about debuffs. Stun can be problematic, but other negative status effects are inconsequential. While there are ranged enemies, they will switch to melee when you approach, giving you the opportunity to engage in a duel once more. Additionally, enemies behave in a very static manner. Once they commit to attacking a specific tile, there is no turning back for them. The combat system as a whole feels very focused on melee, especially given the scarcity of arrows for your archers in the early to mid-game.

Early on, this is engaging enough. Combat is generally fast and fluent, and it's fun to experiment with different combinations of skills and positioning, especially when you have fewer characters and the grid is more open. However, the lack of depth in terms of options becomes apparent over time, which ultimately makes combat feel like a tedious slog.

The lack of options also applies to your equipment. Often, items only provide a +1 bonus to skills that you have already maximized. While weapons and armor may enhance your strength, they do not offer any distinctive abilities or significantly change your gameplay. It is rather uncommon, to say the least, to witness a thief backstabbing enemies with a dagger and a tower shield of thievery +1.


No room to maneuver during combat.

Limited, but well thought out, scope
SKALD: Against the Black Priory is a short game, taking about 20 hours to beat. By that time, you have likely seen most, if not all, of the content. Along the way, there are a few side quests that are reasonably well-designed and different enough to keep you interested. In general, the game does a good job of pushing the plot along and provides motivation for the PC's actions. The pacing is consistently well-executed throughout the game, as it never feels like the developer is attempting to include unnecessary content solely to lengthen the playthrough time.


Travel swiftly across the overland map.

Conclusion
Overall, the experience feels very harmonious. There is no filler content, no sudden difficulty spikes, and no half-abandoned ideas, with the exception of magic. The developer is self-aware enough to focus on what he is capable of and delivers a well-put-together game based on his original vision. The end result is a fun and enjoyable short adventure, although at times it may feel overly simplistic and predictable. Recommended for any RPG player who can overlook somewhat shallow underlying systems, such as character development and combat.

Hello adventurers!

Today I am showing you the somewhat older and rather unknown game, El Matador, a 3rd-person shooter developed by the Czech developer Plastic Reality Technologies in 2006 and published by Cenega Publishing.


PREMISE AND STORY/NARRATIVE
In this game, the player takes on the role of El Matador, a DEA special agent tasked with bringing down drug lords. A new drug cartel is on the rise in Central and South America, sharpening its claws and expanding its influence. Locate the camps, infiltrate the headquarters, and put an end to the cartel's influence.

El Matador has a generic action movie story in order to have a guns-blazing loner killing dozens of criminals.
Here's a short recap of the story with slight spoilers:

After Victor Corbet successfully rescued a DA’s daughter in a nightclub owned by a drug lord, he is sent to Colombia to help the police take down the La Valedora Cartel, who were involved with an incident that affected Victor in a personal manner. In Colombia, Victor works with Captain Enterrador and his fellow police officers: ADA Mia Rodriguez, Sgt. Gabriel Montego, and his close friend Rico Altemetra.

Victor's first assignment involves him eavesdropping on a meeting held in a Bogota Hotel. His team is then ambushed making him the sole survivor. He proceeds to go Punisher on the cartel and earns the nickname „El Matador“

Victor and Rico raid a factory serving as a drug operation base for La Valedora. They are tasked with arresting, a drug kingpin who is controlling the operations. During the raid, Victor destroys the Factory with C4 but the Kingpin escapes. Victor and the Team corner him and in the ensuing shootout, the Kingpin gets wounded and gets executed.

After that, the police find out that the cartel has a training camp in Columbia’s jungles led by a former Israeli Agent (Oy vey!), and Victor is sent to take care of it alone. Due to the information he recieves, the DEA learns about the leader of La Valedora - a former SS Soldier - leading to a high stakes raid on a island fortress.

During the final showdown, tensions rise within the team. Victor gets betrayed and has to make tough decisions. The Game ends with significant changes in the characters lives, hinting at new beginnings and future assignments.


Unfortunately, the devs didn't include the iconic Paynesque comic book cutscenes and instead focused on conventional ones. However, they did take some inspiration from Max Payne in terms of the look and feel of the missions and some characters. For example, Alberto Marica is a spoiled brat gangster who loves to party, similar to Vinni Gognitti. He screams at everyone and even orders his goons to “fucking kill” Victor , echoing Gognitti's line: "Ow no! Payne! Not him! Fuck! Fuck! Fuck! What are you waiting for?! Circle him and kill him! Kill the cop!" El Matador also uses the "Here's an important character, let's slow down time and show the players the name of the character" trope (see screenshot). Here's a fun fact: His last name is the Spanish word for Faggot

CAMPAIGN
It's going to be a short experience (4 hours) The game has 4 difficulties:

• Easy, Normal, Hard, Nightmare

It has six Chapters - seven if you count the prologue - and a tutorial.


The tutorial is set in a Costa Rican training facility for spec ops.
The first thing you might notice is that the game looks and feels like Splinter Cell but has the gameplay of Max Payne. That's because the game is developed on the Max-FX Engine, the very same engine used for Max Payne 2.

In the tutorial, you learn how to crouch, jump, and interact with the environment. Then you get to the shooting range, where you have access to pistols, submachine guns, assault rifles, shotguns, snipers, grenades, and C4.

The first real mission is set in Tijuana, North Mexico - specifically in the Baracuda night club. You and your "SWAT" team try and rescue someone here, blasting through criminals all while Disco music is blaring from every side. It sets the tone quite nicely and does hold up. It's also here where you first really have to use your “Powers”, meaning bullet time. Like his role model Max, Victor can slow down time while dashing to the sides or back and forth.


The game has quite the diverse set of locations, be it a disco in Mexico, or even the most famous city in Colombia, Medelin.

ART DIRECTION

It doesn't exactly have one, though it is similar to Max Payne, except it has no deeply suicidal, pessimistic Philosopher as the main character and the game isn't overly depressive in it's depiction of the areas. In fact, most areas are hot, bright, and full of color. The graphics of the game do look good for a game that came out in 2006, but that also applies to Max Payne 2 too.

(The Devs 100% took Max Payne and Punisher as their inspiration, see the picture here)

SOUND DESIGN
The voice acting is fine for a low budget title like this. The main character is voiced by Tom Clarke-Hill. He’s known for Sniper Elite and has a gruff low voice, perfect for a Max Payne/Punisher mixture. Most of the weapons that are usable, have the same sounds as the Max Payne guns. The soundtrack is also very similar to the soundtrack of Max Payne 2.

ENEMIES

STANDARD CRIMINALS- THE GOON SQUAD
They will be the enemy you most encounter, and in huge amounts. They have all kinds of weapons: pistols, assault rifles, grenades, shotguns. Everything you have, they do too. They will also wear protective gear and can take more damage.


HEAVY CRIMINALS- FAT BASTARDS
Those are big fat brutes and will always have weapons that hit hard, Such as machine guns, grenade launchers and rocket launchers.


BOSSES- IMPORTANT PEOPLE
They will be either in the middle of a mission or at the end, with a closed off area (an arena of sorts) where you can take cover, run away, or flank them.

(Ignore the 100.000 Health, since these screenshots were made after completion of the game)

EQUIPMENT
You have a arsenal of weapons at your disposal, I'll list some examples

HANDGUNS

• Beretta 92FS- Pistol ingame

• Colt Anaconda - Dirty Mary (Easter Egg/Reference to Dirty Harry)

• Colt M1911 variant - with silencer - Silencer ingame

SHOTGUNS

• Pancor Jackhammer

SUBMACHINE GUNS

• Heckler & Koch MP5A3

ASSAULT RIFLES

• M16A1, when fitted with scope, looks like the M16 from Golgo 13

SNIPER RIFLES

• Remington 700 AICS

MACHINE GUNS

• Hand Held M134 Minigun

LAUNCHERS

• Type 69 RPG

GRENADE LAUNCHERS

• DefTech 1315

TIDBITS
The devs were a small team and it shows as it only got mixed reviews and they also had to close doors in the same year. Almost all devs went on to Illusion Softworks, a.s - now known as 2K Czech, s.r.o. responsible for Mafia 1 & 2.

In itself, the game is solid and does many things just as well as its role model. For example, the allied AI is smart and can efficiently eliminate enemies before you arrive. But it also has one unique thing going for it: if an enemy is protected by bulletproof glass or other means, you can shoot somewhere close to them so that the bullets ricochet and hit your target, provided the material allows for it.

NEGATIVES
I'd say there are almost none. The game is very responsive. Gunplay feels good, graphics hold up quite nicely, voice acting is fine, there are plenty of different types of guns, cover and enemies. Most Levels have clutter that act as cover, be it walls, fallen over columns or tables, which is good because enemies come from all sides to deal damage. The last time I played, it had some graphical glitches, but those didn’t appear in my most recent playthrough (but that may have been due to playing on GOG this time, instead of Steam) The game usually doesn't tell you where to go next. Some might dislike that, but it wasn't exactly rocket science to know where you need to go.

CONCLUSION
It took me about 4 hours to beat the game on normal. There are no secrets to discover or achievements to 100% complete the game. It's a straightforward action shooter that just wants you to go on a fun killing spree akin to the Punisher.

If you enjoy Max Payne-like games, i'm sure you'll enjoy "El Matador" too.


PROS:
The gameplay is almost exactly like Max Payne, along with some unique little twists that make it it's own game
Diverse set pieces with their own feel
Bullet Time is well done and can even be extended by killing enemies
Main Character is a no-nonsense Punisher of Criminals, no sparing them
Saving is possible at all times

CONS:
Short game, might be disappointing for people
Steam version of the game is basically dead and does not have any support unlike GOG version
Simplistic gameplay could be a deterrence if one wants more

El Matador feels like what would happen if Remedy handed their Max Payne homework to Plastic Reality Technologies and said, 'Just don't copy it exactly,' and Plastic Reality Technologies replied, 'Sure thing.'
Overall I do recommend it as it's a short and fun experience for small change.

PC Specifications:

Processor: Intel Core i7-4790
Graphics Card: NVIDIA GeForce GTX 960
Memory (RAM): 16 GB RAM

Game Version: 1.0

Game Type

Wuthering Waves is a free-to-play open world sci-fi fantasy with gacha elements. "Gacha" means that you can use a currency (in this game called Astrite), found in chests and from quests, to pull new characters you want to use, as well as their weapons. Astrite can also be bought with actual money, which I don't recommend because the prices are unreasonably high (think microtransactions minus the micro).

The game has a pity system, meaning after a certain number of pulls on a character or weapon banner you're guaranteed to get what you want (90 to 180 pulls for characters, 80 for weapons). The game released with plenty of goodies and has a permanent starter banner that allows you to get a starter character of your choice, using currency it gives you for free for leveling up in-game. Due to the review being written in version 1.0 I can't comment on the long-term generosity. Historically, the previous game released by this company didn't get any better or worse in that regard as the game aged.

If you think you'll stick with the game and don't mind spending a little money you can buy an optional subscription-like pass at $4.99 a month. It's by far the cheapest and most effective way to get more of the gacha currency (it gives 3k of the currency in total, 300 immediately and 90 a day for 30 days). I call it subscription-like since the pass doesn't renew automatically. If you stop playing the game it won't keep billing you or anything like that. I should point out that the counter isn't paused if you don't log in, so your daily claim is lost if you don't log in for the day. It does pop up automatically if you do log in so there is no need to take any other action to claim after login.

Wuthering Waves: So, what is this thing about?

Ah, the open world RPG. Isn't it wonderful? Can you ever have enough of it? If you're a game developer your answers would be "yes" and "no" respectively. So, here is the latest offering of Kuro Games, of Punishing: Gray Raven fame: Wuthering Waves.

In order to make this review as useful as possible, here is a warning: If you want to go into this game blind you should stop reading now. I will not describe every little plot twist and quest but some of the criticism and praise I intend to inflict/lavish on this game is inevitably tied to the game's plot. If you do not want to see spoilers, stop reading this now.

Ok? Ok. So, we wake up on the world of Solaris-3, a conveniently open world sci-fi fantasy planet which has inconveniently undergone a major apocalypse. And not this pussy asteroid-hits-the-planet apocalypse, oh no. This is the bitchy PMS-ing girlfriend of apocalypses. It ruins your day and, after you picked yourself up and swept away the broken civilization, it comes screeching back to ruin your day all over again.

This bitchy apocalypse is fittingly enough called the Lament.

Our protagonist has a bad case of amnesia with the intriguing twist that while he has no idea who he is, the local authority not only knows him but was expecting him. This skips the whole annoying, "Why do all these people trust this random yahoo" plot chasm many such games fall into five minutes after the game starts. We walk through the valley where two ladies, Yangyang and Chixia, have found us and are quickly assaulted by the local variety of eldritch abomination. We're told that these are called Tacet Discord and they look, fittingly enough, like someone ate a number of hallucinogenic substances and tried to draw people, animals and plants. These annoyingly persistent freaks of nature are spawned by something called a Tacet Field, which we are informed constantly vomits out an inexhaustible supply of these things. Usually pseudo-magically talented people called Resonators kill these adorable balls of murder before they overwhelm and kill what passes for the rest of civilization. After we kill a particularly aggressive boss version called a Crownless and baffle our companions by doing so the tutorial ends and we can progress to the first city.

I'm sure you've noticed by now that the game has a theme: Sound, music and noise. That's why terms like tacet, discord, resonance and forte are thrown around in the tutorial.

The Plot: It's less of a line and more of a branching tree.

The main plot isn't setting the world on fire, but honestly, compared to some of its contemporaries (notably Genshin Impact), it is a definitive improvement. There are some genuinely great moments in places. Outside of the convenient amnesia in the beginning everyone has a reason why they're doing what they're doing. The main character is a driving force in the plot, rather than just a bumbling tourist who rubs shoulders with strangely indulgent yet lazy deities a la Genshin.

Even the enemy factions have reasons to do what they're doing. The exiles are criminals who rob people, the animals are wild animals just hunting and doing their thing and the eldritch abominations want the world to burn. Interestingly the game does something Genshin and many others never do: If enemy factions meet each other in-game they will actually attack each other. They will also attack the friendly guards, who will fight back and even defend you if they see you getting attacked. I hate that this is rare enough to deserve a mention but it does.
Remember how I compared the apocalypse to a PMS-ing girlfirend earlier? Well, she's on her period again so our protagonist gets dropped right into a growing war situation: while the city is still relatively peaceful, war is brewing in the north and a secretive band of terrorists called Fractsidus are summoning more eldritch abominations to make it worse. The story goal of the game as it is now is basically to do the following in order:

• Make sure the city stays stable.

• Find out what the hell is going on.

• Go north to the front to tell the bitchy apocalypse that she should damn well pack her bags and leave the world the fuck alone.

This is the main plot thread of the game up until now and, having finished the entire main questline, I'm actually surprised that it was fun. Even the short war strategy meeting near the end to prepare for the assault shows that yes, even the protagonist can't just walk up to the ominous floating doom rock by himself.

Let's talk flaws: A story is only as good as its execution.

Let's start with the technical side of my criticism. Texture pop-ins, pop-outs and general visual errors never caused crashes, but seriously annoyed me all the same.
Honestly, after my first day of playing I was ready to give this game both barrels over some of the flaws and programming fuck ups. But several updates later those issues have completely disappeared, making this section of my review somewhat awkward for me. The game runs very well now, I no longer have visual glitches and I haven't seen a texture so much as flicker in a suspicious manner.

Next, the writing: like I said, it's not setting the world on fire anytime soon but the only actual flaw I could find were typos and some writing errors I'm sure were caused by autocorrect ("Fury Fugue" becoming "Fury Fudge" in the skill description is an excellent example and made me chuckle). Other than that I've seen little to complain about.

Now, the voice acting. Ohohoho, the voice acting. If I was a charitable soul I would describe Yangyang's voice acting as severely understated. Unfortunately I'm an abrasive prick so I'll instead say that her voice actress sounds like she was told to imitate a narcoleptic stroke victim with no vocal inflection. They were going for demure lady and ended up with the auditory equivalent of the Dull Surprise meme. And we're stuck with just her for company for an entire mission! She also gets next to no character development, and we learn nothing about her outside of the fact that her tacet mark (that's the tattoo every resonator has) lets her sense things and that she's a friend of Chixia. The general we meet near the end of the game (Jiyan) has more character than her - between his Tacet-induced PTSD flashbacks and survivor's guilt - yet we've only known him for about an hour!

Finally, the good stuff.

Chixia is about as well-rounded as you can get as a supporting character: she's a wannabe hero (the good example of this stereotype), loves spicy food, is liked in the city for her work as a patroller and a helpful presence to those around her. She's a good example for a well-written side character and I'm honestly confused why this is not reflected elsewhere. Granted, characters outside of her and Yangyang haven't had nearly as much screentime yet.

As you might imagine from someone who made P:GR the combat system is a definite highlight. It's not quite at spectacle fighter level but it's much, much more strategic than Genshin where you can facetank basically everything. I made the unfortunate error to go off track and absentmindedly wandered into the way of a mutated murdercar with spiderlegs.

The game then proceeded to tell me that not learning how to dodge, counter or interrupt enemy attacks is not something it is willing to tolerate after the tutorial. Fittingly enough I went and used the tutorial function to practice the combos for my characters, after which I returned and showed the murderous spidercar what usually happens to arachnids who annoy me too much. Also, I learned to dodge stylishly.

This is also a fitting moment to inform you on how this game handles equipment. Outside of your weapon, you don't collect discarded jackets or delve into ruins for trinkets. Instead, you use your terminal (the gourd looking thing every character carries) to suck up the remaining resonance of defeated enemies. That's right, there is a creature collecting element in this game! You equip up to five of your defeated monster echoes and gets set bonuses for it, every echo has a fixed stat and a random one (hello there gear grind, I missed you!). But honestly, I like this more than the whole relic/artifact/gear stuff in other games. It makes it actually worth it to fight the random beaties you come across and gives fighting monsters some actual weight outside of the pittance of money they drop in other games.

Especially exciting is that you can use the first equipped echo to turn into the monster for a while and use a relevent skill of it. You can turn into a fire-spewing heron or turn into Hellrider to beat your enemies with a flaming exhaust pipe. Or just summon Hellrider to ride really fast across the landscape, your choice.

Also, the movement options are amazing. You can actually parkour across the city, zipline through the sky, use the aforementioned Hellrider to drive around and even wallrun up a mountain!
By the way, standard running does not decrease stamina in this game as long as you're not in battle. There are even a few nice semi-platforming challenges in the game where climbing is disabled and you'll need accurate jumping to beat the challenge.

Next, the graphics. You might have noticed from my pc specs that what I play on is less a pc and more a museum exhibit. I'm mentioning this because even with my potato this game has some very, very pretty visuals.
Monster design is also very nice, the aforementioned eldritch abominations are nice to look at while they're not teleporting or flying around in an effort to rip your face off. The only truly bland enemies are the exiles, and even there is some variety.

Environment design is also something to consider. I'm also a Genshin player and this game finally helped me put into words what bothers me about Genshin's open world: it's a basically a colorful fantasy themepark version of a world. There is one big city in each region, almost everything up to Fontaine is nearly spotlessly clean and the nations seem to have very few means to actually feed the people in those cities. Probably because farms and the like have all but disappeared (Mondstadt in Genshin for example has exactly one production facility: a winery). Instead we have vast stretches of nothing much at all.

The map in Wuthering Waves is, while smaller, a lot denser by comparison. You have the main city, a mine, research centers, production facilities and two separate harbours to do trade. All together it gives the image of a region that would actually function instead of suffering a famine after a single week because no-one grows food or produces anything.

Many buildings and models are also rusting or noticeably worn like you would expect in the middle of yet another apocaplyse. The model quality is noticeably higher due to different artstyles compared to the more cartoony cell-shaded Genshin look.

Lastly, the music: I really, really like it. The overworld theme is a bit bland but the fighting themes are all very good and considering that I considered Genshin's OST some of the best game music ever made my standards are quite high.

A few more points.

So, is this a Genshin clone? No. No more than Genshin is a Breath of the Wild clone. I actually think Genshin fans by and large will be annoyed by the more complex combat system because the game is much less forgiving of fuck-ups in that regard than Genshin. I actually had to unlearn some bad habits I acquired there.

One criticism I've read about before playing is that the game tosses too many new words at you in the tutorial. This is a criticism I frankly don't understand but which reminded me that gamers are a bunch of nerds. Apparently the nerdiest of us have decided to treat game terminology like they're studying for the SATs. "Ah, this thing trying to kill me is called a Tacet Discord and it spawns from a Tacet Field." Very complex stuff there guys.

No, you don't need to know what a Retroact Rain is or what Waveworn Phenomena are. I'm pretty sure the game will tell you when you actually encounter these things. Maybe focus on not getting disemboweled first. (Spoiler alert: You do encounter the rain later and yes, the game explains it then.)

Game optimization was absolutely horrid the first day, but now it plays perfectly well so I'm honestly not in the mood to bash them for that. The uneven voice acting and writing hiccups are a much better target for criticism in my book. At least the devs duly apologized and gave a few very generous rewards to make up for it while fixing it.

Conclusion

Personally I recommend the game if you like the genre and prefer a more complex combat system. In particular I would commend the devs for making the different boss enemies more than just differently colored HP sponges and giving them very nice themes to fight them to. The combat is definitively the highlight, and even with all the other flaws in the game was never something I felt needed improvement.

The main storyline by itself is very nice to play through and honestly better than what I would rate the starter missions in its primary rivals Genshin Impact and Honkai Star Rail. I do hope they can keep the momentum going after the horribly rocky start this game had.

Rating: 7.5/10